When L.O.V.E.M.U.F.F.I.N. moves the Earth further from the sun, Phineas and Ferb must find a way to save summer and prevent a new ice age.

One day, just before I was about to leave the orphanage, my lifesaver came to me, claiming to be terminally ill. She demanded my entire fortune—$4000 in settlement support—in exchange for my life. "Are you really my lifesaver, or are you a fraud?" An adventure drama that follows the unraveling of a twisted chain of fate.

Save Me is a web-toon based thriller drama with a story of four young men who try to save one woman. One day, they face a woman in a dark alley who asks for their help. The woman turns out to be involved in a cult group. A sequence of horrifying tension-filled events follow the four young men.

Dr. Henry Wiese went to the Afghan front, his wife Helen, also MD, refused to follow and even threatened with divorce. Kid son Samuel 'Sammi' now clings completely to the hamster Raffi he received from dad. He even gets the vet to perform expensive surgery on the pet rodent, but on the way home it gets accidentally kidnapped by Rocky, a just paroled car thief. Caught in her own lies, Sammi's mean sister Molly and her nice boyfriend Jochen must help search for Raffi, who wanders into adventures and a TV studio 'show starring' door-choosing hamsters, arousing enmity.

Nelson "Nelly" Rowe's life is turned upside down when he is arrested on suspicion of kidnapping his thirteen-year-old daughter Jody, whom he hasn't seen in ten years. After convincing the police of his innocence, and frustrated with the way the case is progressing, he decides to take matters into his own hands and track down Jody himself.

A sex and drug addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction", where instead he is faced with the truth in his heart and spirit.

Five female filmmakers en route to screen their new horror film in Los Angeles, experience their own real life terror when they cross paths with deranged scientist hellbent on using them for his twisted experiments.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."